



CMY by Lisa Richards
22nd to 31st July
Meet the Artist: 23rd July 6-8pm
To mark this year’s Norwich Pride, we were thrilled to award two FREE solo exhibitions to incredible artists from the local LGBTQ+ community! Lisa Richards will take over the Front Room Gallery: Lisa is a UK-based abstract artist whose work explores vibrant colour relationships and playful shapes through acrylics and mixed media. Working on paper, canvas, and wood, her pieces range in scale but most often sit within a more intimate format. Driven by hyperphantasia - a vivid imagination that brings colour and form to life - Lisa creates from both inner vision and everyday surroundings. While rooted in abstraction, her paintings sometimes reveal elusive figures, lost or unsure, hovering at the edges of recognition. Her intuitive process varies widely: some works resolve in a single sitting, while others unfold slowly over weeks or months, until the next stage becomes clear. She has learnt to trust the slow ones, as her mind processes ideas well in the background. After early art training that discouraged abstract expression, Lisa’s creative path detoured through roles in administration, a library, and even cardboard box design. She returned to painting via a part-time MA, reclaiming her voice with a brighter, more joyful palette than in her earlier, moodier work. A late-diagnosed neurodivergent, Lisa embraces her neurospicy brain as a strength, allowing for deep visual exploration, layered meaning, and a unique perspective on colour. Lisa lives and paints in Norwich, UK. Her research interests include neurodivergent visual perception and the emotional resonance of colour. "I am absolutely blown away to have been selected for this solo show. When I enter group shows, I tend to choose small pieces that I can easily carry to and from the venue, so the opportunity to show my larger work as well is really exciting. I hope that by filling this space with my paintings, people can feel immersed in colour and really see the cohesion in what I do, along with the narrative between pieces. The title of my exhibition, cmy, comes from the colours I use: cyan, magenta and yellow. The acronym will be familiar to anyone involved in printing as CMYK, though I don’t often use black in my work. We tend to think of red, blue and yellow as the three primary colours with which you can mix anything, but several years ago I was introduced to the idea of swapping out red for magenta, and my paintings suddenly gained a new vibrancy. Having previously used a lot of red (paint, clothing and hairdye), I now tend to avoid it. Even my rainbows use pink instead!




No Guts No Glory by Dodsworth
22nd to 31st July
Meet the Artist: 23rd July 6-8pm
To mark this year’s Norwich Pride, we were thrilled to award two FREE solo exhibitions to incredible artists from the local LGBTQ+ community! Dais Dodsworth will take over the Main Gallery: Delicious yet deviant, NO GUTS NO GLORY aims to transform the viewer to a place of delusion and play-pretend, exploring the inside of Dodsworth’s guts creating an intense celebration of authenticity and identity. Dodsworth is a recent Norwich University of the Arts, Fine Art graduate. NO GUTS NO GLORY feature works explored throughout their degree and their final piece ‘chewed but never swallowed’. This exhibition is Dodsworth’s debut solo exhibition, pulling together a collection of video performance, textile and print pieces.




A Desert Cycle Ride & Oak Trees and Iceni Wolves
by Chris Lewis-Smith
5th to 13th August
Meet the Artist/Open View: 7th August 6-8pm
A Desert Cycle Ride – Main Gallery In A Desert Cycle Ride, artist Chris Lewis-Smith presents a series of evocative paintings inspired by a cycling journey through the New Mexico desert, undertaken with his son and two friends. These works reflect the lasting impressions of that adventure: the searing heat, the relentless sun, the sudden violence of desert storms, and the vulnerability of travellers immersed in such a vast and unforgiving landscape. Painted two years after the trip, these pieces emerged rapidly, one after another, as if the experience itself had finally crystallised in the artist’s mind. Together, they form a visual narrative of both physical challenge and emotional resonance. Oak Trees and Iceni Wolves – Front Room Gallery In the Front Room Gallery, Oak Trees and Iceni Wolves explores ancient symbols and natural forms. The Celtic Tree of Life, a central motif in this exhibition, embodies themes of unity, growth, and the cyclical nature of existence, serving as a bridge between the earthly and the spiritual. Created using ink, coloured pencil, and paint, these imaginative works represent the culmination of a two-year project in which Chris Lewis-Smith sought to express something mysterious and timeless. Alongside the trees, depictions of wolves – inspired by images found on ancient Iceni coins – reflect the cultural significance of this animal to the Iceni people, alongside the horse. Brought together for the first time, this collection invites viewers to engage with both history and mythology through the lens of contemporary painting.