Sam and Becka are mother and son. Whilst their materials are very different, their processes are quite similar. A placing and replacing of pieces that previously had another form and purpose to create images which, whilst familiar may not be quite as the viewer knows them. Sam’s collage material is drawn from a variety of sources, including natural science books, wildlife guides, children’s encyclopedias and laydybird books; each supplying their own context and personal history. He redirects the viewer through the lens of a documentarian, creating a blurring of natural history and fantasy, science and science fiction, and attempts to pleasantly disorientate the audience. Becka’s work is created using old cups, plates, broken mirrors, beads, buttons, found natural materials and glass. Wherever possible, she uses second hand or donated materials. Her images are usually inspired by the colours and patterns of the materials themselves which then, without much planning at all, evolve into pieces that represent a love of the natural world, of favourite environments and of Norwich which she now regards as her forever place. If you are interested in learning how to make mosaics please follow Becka on Instagram @Rooted_Mosaics where any available workshops will be advertised. Sam Elliott is a Norwich based artist with a multi disciplinary approach, although in this exhibition he is showcasing a longstanding interest in collage. He relocated to Norwich almost a decade ago, and the unique backdrop of the city and the Norfolk countryside have proved fertile inspiration for this joint exhibition. In Place and Unplace, he uses recognisable landmarks of the immediate city and county and transports, or interrupts their presence, leaving the viewer to renegotiate their relationship with the familiar. Becka Elliott is an artist and freelance teacher who, for nearly twenty years has been making and creating in a variety of mediums. She first began mosaic making about twelve years ago when her subject matter was often quite simple. Throughout the years her practice has evolved; her work is now much more detailed and includes a wider range of materials although they are almost always second-hand or donated. Since moving to Norwich in 2019 she has become interested in portraying the environments she loves, and has loved, in both realistic and abstract ways.